Wombo @ Sunset Tavern

Let them rivet you šŸŽø

šŸ“ø: Courtesy Wombo

Louisville, Kentucky has a rep for producing rock bands that favor unusual dynamics and incisive guitar tones: exemplars include Squirrel Bait, Slint, Rodan, and June of 44. Their compelling mix ofĀ punk, math-rock, and post-punkĀ elements has crept into the music ofĀ Wombo, the Louisville trio of bassist/vocalist Sydney Chadwick, guitarist Cameron Lowe, and drummer Joel Taylor. Strangely for a group from the American South, though, Wombo also sound as if they’ve studied the UK’s 1978-1982 wave of post-punk antagonists. Artists from that movement often featured women vocalists andĀ prominent, groove-oriented bass lines, and that praxis powers Wombo’s best songs. You can hear them carving out Au Pairs- and Raincoats-like spaces on their great third album,Ā Fairy Rust, which is inspired by the fantasies of the Brothers Grimm and Hans Christian Anderson. Here, Wombo’sĀ rhythmic thrustsĀ generate tense excitement as their melodies enchantingly float above the bass-and-drum sparks. ā€œBelow The Houseā€ proves that they can veer intoĀ freakoutĀ territory, too, as Lowe gets off a fuzzed-out and frazzled guitar solo that wouldn’t sound out of place in a Sonic Youth concert. But then again, Wombo can fool you with a gentle Astrud Gilberto-like bossa nova tune like ā€œBlossom Bearā€ from 2020’sĀ Blossomlooksdownuponus. Clearly, this band has range andĀ numerous ways to rivet you.Ā 

Author

Dave Segal

Dave Segal

Dave Segal is a freelance music writer for The Wire, Pitchfork, Aquarium Drunkard, and other publications. He formerly served as staff writer at The Stranger and as managing editor at Alternative Press. Find him on Twitter @editaurus