

Louisville, Kentucky has a rep for producing rock bands that favor unusual dynamics and incisive guitar tones: exemplars include Squirrel Bait, Slint, Rodan, and June of 44. Their compelling mix ofĀ punk, math-rock, and post-punkĀ elements has crept into the music ofĀ Wombo, the Louisville trio of bassist/vocalist Sydney Chadwick, guitarist Cameron Lowe, and drummer Joel Taylor. Strangely for a group from the American South, though, Wombo also sound as if theyāve studied the UKās 1978-1982 wave of post-punk antagonists. Artists from that movement often featured women vocalists andĀ prominent, groove-oriented bass lines, and that praxis powers Womboās best songs. You can hear them carving out Au Pairs- and Raincoats-like spaces on their great third album,Ā Fairy Rust, which is inspired by the fantasies of the Brothers Grimm and Hans Christian Anderson. Here, WomboāsĀ rhythmic thrustsĀ generate tense excitement as their melodies enchantingly float above the bass-and-drum sparks. āBelow The Houseā proves that they can veer intoĀ freakoutĀ territory, too, as Lowe gets off a fuzzed-out and frazzled guitar solo that wouldnāt sound out of place in a Sonic Youth concert. But then again, Wombo can fool you with a gentle Astrud Gilberto-like bossa nova tune like āBlossom Bearā from 2020āsĀ Blossomlooksdownuponus. Clearly, this band has range andĀ numerous ways to rivet you.Ā