Stewart Copeland @ Benaroya Hall

New wave meets symphony orchestra šŸŽ»

šŸ“ø: Seattle Symphony

September 14thĀ ā€¢Ā 7:30 pm

Stewart Copeland has been a solo performer (as the late 70s cult act ā€œKlark Kentā€), a record producer, composed soundtracks for films and video games, and played with the likes of The Doors, Peter Gabriel, guitarist Adrian Belew, and jazz bassist Stanley Clarke. But heā€™ll always be best known as the drummer for post-punk new wavers, The Police, who reached mainstream heights during the 1980s.

Police Deranged gives the bandā€™s work a classical spin, pairing Copeland with the Seattle Symphony and guest vocalists (all female in earlier iterations of this show) and rock musicians. Copelandā€™s Police bandmate Sting pursued a similar path in his 2010 Symphonicity Tour, when he performed with the Royal Philharmonic Orchestra. But whereas Stingā€™s show was split between Police numbers and his solo work, Police Deranged focuses almost entirely on the groupā€™s songs (earlier performances have also included some of Copelandā€™s soundtrack work). So you can expect to hear such signature numbers as ā€œRoxanne,ā€ ā€œMessage in a Bottle,ā€ ā€œDonā€™t Stand So Close to Me,ā€ and ā€œEvery Breath You Take,ā€ along with deeper cuts like ā€œDemolition Manā€ (written by Sting and first released as a single by Grace Jones). Copeland, playing drums, also shares behind-the-scenes stories about the songs, and takes a turn at conducting the orchestra himself.

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Author

Gillian Gaar

Gillian G. Gaar

Gillian G. Gaar is a Seattle-based journalist and the author of several books, including Sheā€™s A Rebel: The History of Women in Rock & Roll and Entertain Us: The Rise of Nirvana. Twitter: @GillianGaar