

Few American plays are more often performed than Thornton Wilderâs Our Town, the 1938 bit of minimalist metatheatricality about turn-of-the-century, smalltown America. (This fall, Cornish College of the Arts is doing two versions.) Pony World Theatre, a company The Seattle Times once called âunexpected, inventive, and deranged,â wants to flip the entire shebang on its head. Enter Not / Our Town, a remix of the work where every performance will be different based on a preshow audience survey thatâll determine characters, scenes, and staging options. Or, as the marketing puts it, âa brand new playâŠthatâs also very old.â
âEach night, half the scenes are always the same,â writer/director Brendan Healy told The Ticket, âbut the other half are decided by the audience. Some of those choices genuinely change the vibe of the night. A couple even change some of the storylines[âŠ] I canât wait to see what gets picked the most often and what that might say about us.â
I asked Healy what led to this particular production. âThereâs a word I love: âsonder,ââ he explained. âItâs that realization that hits us sometimes when we look at a stranger and realize they are living a life as full and complex as our own. Thatâs part of what the original Our Town was going for (even if the word didnât exist yet), and itâs definitely what we need right now in our world. But I think the original play has a lot of barriers for modern audiences. We want to inspire sonder in people but do it in a new way, with surprises and joy and dancing and silliness andâif they vote for itâthings falling from the ceiling.â
Me, Iâd vote for âthings falling from the ceiling.â Thereâs also an option to include puppets! But even if that doesnât happen on a particular night, Healy hopes youâll have an unforgettable evening. âThat audience had this time together to see a thing that will never happen again. Thatâs what life is, really, and thatâs what the original Our Town was all about.â
