Few American plays are more often performed than Thornton Wilderās Our Town, the 1938 bit of minimalist metatheatricality about turn-of-the-century, smalltown America. (This fall, Cornish College of the Arts is doing two versions.) Pony World Theatre, a company The Seattle Times once called āunexpected, inventive, and deranged,ā wants to flip the entire shebang on its head. Enter Not / Our Town, a remix of the work where every performance will be different based on a preshow audience survey thatāll determine characters, scenes, and staging options. Or, as the marketing puts it, āa brand new playā¦thatās also very old.ā
āEach night, half the scenes are always the same,ā writer/director Brendan Healy told The Ticket, ābut the other half are decided by the audience. Some of those choices genuinely change the vibe of the night. A couple even change some of the storylines[ā¦] I canāt wait to see what gets picked the most often and what that might say about us.ā
I asked Healy what led to this particular production. āThereās a word I love: āsonder,āā he explained. āItās that realization that hits us sometimes when we look at a stranger and realize they are living a life as full and complex as our own. Thatās part of what the original Our Town was going for (even if the word didnāt exist yet), and itās definitely what we need right now in our world. But I think the original play has a lot of barriers for modern audiences. We want to inspire sonder in people but do it in a new way, with surprises and joy and dancing and silliness andāif they vote for itāthings falling from the ceiling.ā
Me, Iād vote for āthings falling from the ceiling.ā Thereās also an option to include puppets! But even if that doesnāt happen on a particular night, Healy hopes youāll have an unforgettable evening. āThat audience had this time together to see a thing that will never happen again. Thatās what life is, really, and thatās what the original Our Town was all about.ā